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July 9, 2005 (edited)
Scarlet and...
Taken at the perfect tempo, by one of the world's finest rhythm sections. Garcia is in excellent voice. Dead air until 1:01. At
3:54 Garcia begins the first of his three runs. Sweet notes. His second take dances like a Globetrotter weave. But Keith turns up the volume on his own solo and there's a bit of a clash. At the six minute mark, Donna starts decidedly off-key (ouch), but thankfully finishes soon.
10:35 the jam takes a Lazy-Lightin-like turn, and soon Garcia, drums and Keith are nearly trading fours. A unique bit of improvisation. Keith then comes up with his own little phrase; Garcia soon adds another new theme on top of it; and we are in to Fire....
At
0:15 Garcia begins with his wah on the Donald Duck setting.
1:08 he starts singing, perhaps before he was ready. He has trouble remembering the second line of verse one. His first solo features a few very slow, aching bends.
Verse two he begins "Almost aflame..." In the middle of his singing, the recording here goes into an echo-y garage (ah well). At the chorus, the patch ends. About
4:40 he launches into the final solo, the traditional descending scale, but he is clearly not all that comfortable.
He picks up speed a a minute later; begins a nifty ascent; and starts a warble around 6:15. With Weir's slide in the background, he trills it til 6:40, and they take it out.
Launching into Miracle next was probably a welcome tonic...a pretty good jam follows, starting around 3:30, like a rollicking blues jam coming out of Truckin'. They keep it rolling until 7:45, and kind of bring it to a quick halt.